Viol Duos

Sample pages have been provided from each edition. These are copyright, and are not necessarily indicative of the standard of difficulty of the whole edition.

Some audio samples have been added to this page.

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These two collections contain English music. Vol. 1 has works by Thomas Morley, William White and Orlando Gibbons, while Vol. 2 contains music by Morley, Anon, Corkine and Gibbons. Most of the pieces were originally written for viols, but there are a couple of vocal transcriptions as well. Intermediate to advanced level. Two scores. Attractive music, good for teaching or enjoying. Audio sample is a Gibbons Fantasia.

 

 

 

This companion volume to SM1 & 2 contains French music by Boismortier, Hugard, Morel and Philidor. The Morel Menuet is quite easy, but the rest of the book is slightly more challenging. There are two complete sonatas (op. 66) by Boismortier. Two scores.

 

A highly virtuosic set of divisions for two basses, exciting and tuneful music by the master of the Division genre in England. Score and parts.

 

Originally for two flutes, this charming suite has been transposed and put into alto clefs to suit viols. It is quite a substantial suite, and suitable for teaching or performance. It works with two tenors or two basses or one of each. Two scores
Note SM30a is the same music for 2 cellos, and in bass clefs.

 

A collection of 11 pieces of varying standards for a treble and a tenor viol. Composers include Morley, Coprario, Nenna, Boismortier, Barsanti, Lassus, Christopher Gibbons and others. Two scores.

 

This duo was originally for violin, cello and b.c., but it works wonderfully as a duo for two bass viols, or viola and cello. Challenging, but not so virtuosic as to be impossible. Good concert piece. Score and parts.

 

 

This collection of 13 pieces by Certon, Purcell, Gastoldi, Henry VIII, Anon, Handel, Josquin, Monteclair and Boismortier contains music of varying standards, suitable for teaching. Some very simple pieces will be suitable for lower intermediates, while more experienced players will find the Boismortier and Monteclair more challenging. Truly a book for all standards! Two scores.

 

By popular demand, another collection of duets for tenor viols. This one is A Renaissance and Baroque Miscellany, and has pieces by Anon, Ste Colombe, Lassus, Monteclair, John Withy, Morley, Philidor and Hume. One or two simple pieces, but this time some more challenging works too. Some of these are suitable for two violas. Two scores.

 

More advanced tenor viol players will welcome this French music, which has been transposed up a fourth from the original version for 2 cellos/bass viols. There are some easy movements, but these are pieces which can be enjoyed or performed. There is plenty to learn from their use in classes and workshops. Upper intermediate to advanced. Not suitable for violas. Two scores.

 

More for two tenors - intermediate to advanced. These lovely duets by Lassus will be perfect for students and very suitable for performance. This is a selection of ten.

 

This is a companion book to Natalie Dolmetsch's 1956 Hortus Musicus edition of Morley's 9 Fantasias, in their original scoring for 2 trebles or treble & tenor viols. In this book, the same pieces are transposed 1-2 times to fit different ranges, which allows many more people to play them. Single score. Il Grillo is on the audio sample.

 

 

Mico's worthy Fantasias have been published before, but not in an edition like this. Firstly, the original TrB fantasias have been carefully edited from the original, as was the Anonymous TrTr fantasia from the same ms. Versions for two basses have been added, so that more people can play this music. The score is for the bass player, while a part has been constructed with the originals and transpositions for the other player. Score & part.

 

 

Doesn't every teacher or beginner need some easy duets at times? This book has pieces by Telemann, Rameau, Hook, Mouret and others. Lots of dances and short movements from sonatas. They're tuneful and cover easy to intermediate. 2 scores

Audio sample is the Purcell Hornpipe.

 

 

The same book as SM92, but transposed to fit bass clef instruments (SM92a)

The same book as SM92, but transposed to fit alto clef instruments (SM92b)

These duets are for advanced players. They are much more challenging works, but good for study, performance and teaching. Some are quite early Renaissance works.

 

 

Same music as SM93, transposed for bass instruments, using bass clef. 2 scores

Same music as SM93, transposed for tenor instruments, using alto clef. 2 scores

Gibbons was a master composer. This beautiful fantasias are a joy and are one of the cornerstones of the English Renaissance duo repertoire for viols. 2 scores

 

 

Why let the high instruments have all the fun. Now bass instruments can play the same lovely repertoire.
No tenor book is planned as a few of these already appear in the Duets for Tenor Viols series above.

More Morley is always welcome. This edition of four fantasias and four canzonets compliments SM77 9 Fantasias. 2 scores

 

This collection includes music by Anon, Corkine, Dowland, East, Jones, Locke, Morley, Rosseter and William White. Texts are included for the vocal works so they could be performed with singer and viol as well as instrumentally. 2 scores.

 

At last a followup edition to SM39, pairing treble and tenor viols (or violin and viola). Music by Banchieri, Galilei, Gardano, Licino, Lupacchino, Tasso and others. 2 scores

 

Originally for bass viols, these popular duos have now been transposed for two tenor viols. 2 scores.

 

Edited by Patrice Connelly

These are six interesting sonatas which date from 1739, and were republished in 1765. Originally for two flutes/violins/pardessus, they work nicely for two bass viols, extending the French viol duet repertoire. I even prefer these pieces to Boismortier's many duos. Critical/performing edition with commentary relating to the violin edition, and an extensive intro. 2 scores

 

 

Dutch composer Willem de Fesch was an almost exact contemporary of Handel. This collection of 6 sonatas was written for two German flutes or violins, and first published in England in 1739. Saraband has published the original version, plus three books of transpositions: SM141a for treble viol/violin in first position; SM141b for tenor viol or viola, and SM141c for bass viol or cello. It is also possible to play these duets using SM141a and c on violin and cello or treble and bass viols as the keys are the same.