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Articles from the British
and American Viola da Gamba
Society Journals
.

The following bibliography is an incomplete listing of the articles from the journals of the Viola da Gamba Society of America (JVdGSA) and the Viola da Gamba Society of Great Britain (Chelys). I have been a member of these societies for many years, and compiled the listing originally for my own use. Others have found it helpful, so I have decided to list the contents on this page. The entries for the two journals are interfiled. Sometimes titles have been shortened slightly, so you should check the exact wording before using citations in dissertations and articles.
Print copies of Chelys have now ceased. The electronic equivalent has not been listed here.


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Author Title Journal Vol Date Page
Abbey, Hermione Sir Peter Leycester's book on music JVdGSA 21 1984 28
Agren, Carl Hugo Diatonic fingering on treble and pardessus viols Chelys 13 1984 61
Agren, Carl Hugo The use of higher positions on the treble viol Chelys 19 1990 44
Allsop, Peter The role of the stringed bass as a continuo instrument in Italian 17th century instrumental music Chelys 8 1979 31
Ashbee, Andrew A not unapt scholar: Bulstrode Whitelocke (1605-1675) Chelys 11 1982 24
Ashbee, Andrew John Jenkins's fantasia-suites for treble, two basses and organ [Pt 1] Chelys 1 1969 3
Ashbee, Andrew John Jenkins's fantasia-suites for treble, two basses and organ, Part 2 Chelys 2 1970 6
Ashbee, Andrew Music for treble, bass and organ by John Jenkins Chelys 6 1976 25
Ashbee, Andrew The late fantasias of John Jenkins Chelys 25 1996/7 53
Ashbee, Andrew The six-part consort music of John Jenkins: an editor's view Chelys 7 1977 54
Ashbee, Andrew The Society's Indexes: a way forward Chelys 23 1994 73
Baines, Francis Fantasias for the great dooble base Chelys 2 1970 37
Baker, David The instrumental consort music of Robert Parsons Chelys 7 1977 4
Baker, David & Jennifer The Browning Chelys 10 1981 4
Banks, Margaret Downie North Italian viols at the Shrine to Music Museum JVdGSA 21 1984 7
Beecher, Donald Aesthetics of the French solo viol repertory, 1650-1680 JVdGSA 24 1987 10
Bellingham, Bruce Alfonso Ferrabosco II: the art of the fantasia Chelys 26 1998 1
Bellingham, Bruce The musical circle of Anthony Wood in Oxford during the Commonwealth and Restoration JVdGSA 19 1982 6
Bellingham, Bruce Harmonic excursions in the English early-seventeenth-century four-part fantasias of Alfonso Ferrabosco the Younger JVdGSA 41 2004 36
Benforado, Kathy Donald Warnock: Interviews and reminiscences JVdGSA 32 1995 8
Bennett, J. & Willets, P. Richard Mico Chelys 7 1977 24
Bennett, John John Oker/Okeover Chelys 16 1987 3
Bertenshaw, Derry Another five-part piece by Thomas Lupo? Chelys 23 1994 17
Bertenshaw, Derry Madrigals and madrigalian fantasies: the five-part consort music of John Coprario and Thomas Lupo Chelys 26 1998 26
Bishop, Martha A tribute to Elizabeth Cowling JVdGSA 33 1996 10
Bishop, Martha On playing continuo JVdGSA 30 1993 42
Bishop, Walter Translation of Maugar's Response faite a un curieux sur le sentiment de la Musique d'Italie JVdGSA 8 1971 5
Blakeslee, Newton Leo M. Traynor: memories of a friend JVdGSA 24 1987 7
Boal, Ellen TeSelle Purcell's clock tempos and the fantasias JVdGSA 20 1983 24
Boal, Ellen TeSelle Saraband: speed, steps and stress JVdGSA 17 1980 38
Boal, Ellen TeSelle Tempo indications in Purcell's Fantasias and Sonatas: A performer's guide to new and conflicting signatures JVdGSA 31 1994 9
Bodig, Richard D. Ganassi's Regola Rubertina (Conclusion) (translated) JVdGSA 19 1982 99
Bodig, Richard D. Ganassi's Regola Rubertina Part 1 (translated) JVdGSA 18 1981 14
Bodig, Richard D. German literature for viola da gamba ...(A. Einstein p. 23-43) JVdGSA 25 1988 29
Bodig, Richard D. German literature for viola da gamba ...(A. Einstein p. 43-72) JVdGSA 26 1989 7
Bodig, Richard D. German literature for viola da gamba ...(A. Einstein, p. 13-23) JVdGSA 24 1987 51
Bodig, Richard D. German literature for viola da gamba in the 16th and 17th centuries (A. Einstein, p. 1-13) JVdGSA 23 1986 81
Bodig, Richard D. Silvestro Ganassi's Regola Rubertina - revelations and questions JVdGSA 14 1977 61
Bram, Marjorie An interview with August Wenzinger JVdGSA 12 1975 77
Brookes, Virginia In Nomine: an obscure designation Chelys 30 2002 4
Brookes, Virginia The four-part fantasias of John Ward: one composer or two? Chelys 26 1998 52
Brookes, Virginia The four-part In Nomines of John Ward Chelys 16 1987 30
Bruggaier, R. The Archetype of J.S. Bach's Chorale Setting "Nun Komm, der Heiden Heiland" BWV660: A Composition with Viola da Gamba JVdGSA 34 1997 67
Burnett, Henry The bowed string instruments of the baroque basso continuo c.1680-c1752 - In Italy and France JVdGSA 7 1970 65
Burnett, Henry The bowed string instruments of the baroque basso continuo c.1680-c1752 - In Italy and France Part 2 JVdGSA 8 1971 29
Caldwell, James Antique viols and related instruments from the Caldwell collection JVdGSA 11 1974 60
Carvell, Bruce R. A translation of the preface to Terpsichore of Michael Praetorius JVdGSA 20 1983 40
Catch, John R. Bach's violetta: a conjecture Chelys 21 1992 79
Catch, John R. James Talbot's viols Chelys 17 1988 33
Catch, John R. Praetorius and English viol pitch Chelys 15 1986 26
Catch, John R. The gambino Chelys 11 1982 8
Caudle, Mark The English repertory for violin, bass viol and continuo Chelys 6 1976 69
Chancey, Tina Gender, Class, and 18th century French music: Barthelemy de Caix's Six Sonatas for 2 Unaccompanied Pardessus de Viole, Pt 1 JVdGSA 33 1996 47
Chancey, Tina Gender, Class, and 18th century French music: Barthelemy de Caix's Six Sonatas for 2 Unaccompanied Pardessus de Viole, Pt 2 JVdGSA 34 1997 16
Charteris, Richard A newly-discovered manuscript copy of Christopher Simpson's The Division Viol Chelys 23 1994 47
Charteris, Richard A postscript to John Coperario: A thematic catalogue of his music with a biographical introduction Chelys 11 1982 13
Charteris, Richard A rediscovered manuscript source with some previously unknown works by John Jenkins, William Lawes and Benjamin Rogers Chelys 22 1993 3
Charteris, Richard Another six-part fantasia by Martin Peerson? Chelys 9 1980 4
Charteris, Richard English music in the Library of Mortiz, Landgrave of Hessen-Kassel in 1613 Chelys 15 1986 33
Charteris, Richard The origin of Alfonso Ferrabosco the Elder's 6-part fantasia C224 Chelys 16 1987 12
Charteris, Richard New connections between Eastern Europe and works by Philips, Dowland, Marais and Others Chelys 29 2001 3
Cheney, Stuart A summary of Dubuisson's life and sources JVdGSA 27 1990 7
Cheney, Stuart Two French Colloques devoted to the viol: Conference Report JVdGSA 32 1995 41
Christensen, Jean Per Norgard's works for early music ensemble JVdGSA 22 1985 35
Connelly, Patrice Where were the women before 1800? JVdGSA 32 1995 34
Conner, Ted The Groundbreaking treatise of Christopher Simpson JVdGSA 36 1999 5
Conner, Ted Structural Ornaments; Transcending Binaries in Elizabethan and Jacobean Music JVdGSA 42 2005 19
Conner, Ted Musical-Rhetorical Gestures in the fantasias of Henry Purcell JVdGSA 39 2002 5
Coxon, Carolyn Some notes on English graces for the viol Chelys 2 1970 18
Crawford, Tim An unusual consort revealed in an Oxford manuscript Chelys 6 1976 61
Crawford, Tim Constantijn Huygens and the 'Engelsche Viool' Chelys 18 1989 41
Crum, Alison Improve your consort playing: a practical study of John Jenkins Fantasy in a minor, VdGS no. 8 Chelys 13 1984 39
Cunningham, Caroline A selective bibliography of Howard Brown's books and articles pertaining to the viol JVdGSA 30 1993 3
Cunningham, Caroline John Coprario's Rules how to compose and his Four-part fantasias: Theory & practice confronted Chelys 23 1994 37
Cunningham, Caroline Variety and unity in the fantasias of John Coprario Chelys 26 1998 69
Cunningham, John "Let them be Lusty, Smart-Speaking Viols"; William Lawes and the Lyra Viol Trio JVdGSA 43 2006 32
Cyr, Mary Ornamentation in English Lyra Viol Music, Pt 1: Slurs, Juts, Thumps and other "Graces" for the bow JVdGSA 34 1997 48
Cyr, Mary Ornamentation in English Lyra Viol Music, Pt 2: Shakes, Relishes, Falls, and Other "Graces" for the Left Hand JVdGSA 35 1998 16
Cyr, Mary Solo music for the treble viol JVdGSA 12 1975 5
Cyr, Mary The viol in baroque paintings and drawings JVdGSA 11 1974 5
Cyr, Mary Traditions of solo viol playing in France JVdGSA 10 1973 81
Davenport, Mark Between Fantazy and Aire: The "Active Braine" of William Lawes JVdGSA 39 2002 49
Davidoff, Judith Ann Ford: an eighteenth century portrait JVdGSA 30 1993 51
Davidson, Martha Samuel Pepys and the viol JVdGSA 42 2005 5
Dixon, Graham Continuo scoring in the early baroque: the role of bowed-bass instruments Chelys 15 1986 38
Dodd, Gordon A study in consort interpretation: William Lawes's 6-part consort set in g minor Chelys 20 1991 52
Dodd, Gordon Alfonso Ferrabosco II - the art of the fantasy Chelys 7 1977 47
Dodd, Gordon An essay in consort interpretation: John Ward, 6 part In Nomine JVdGSA 12 1975 37
Dodd, Gordon Grounds for putting Simpson into practice JVdGSA 20 1983 60
Dodd, Gordon Matters arising from examination of lyra-viol manuscripts Chelys 9 1980 23
Dodd, Gordon Mr Weelkes His Second Pavin Chelys 9 1980 31
Dodd, Gordon Tablature without tears? Chelys 12 1983 43
Dodd, Gordon The chest of viols reconsidered Chelys 3 1971 22
Dodd, Gordon The Coperario-Lupo five-part books at Washington Chelys 1 1969 36
Dodd, Gordon William Lawes - Royall consort suite no. 9 in F Chelys 6 1976 4
Dodd, Gordon William Young - airs for solo viol Chelys 9 1980 33
Dolmetsch, Natalie Antique bowed instruments in the Dolmetsch collection JVdGSA 15 1978 51
Dolmetsch, Nathalie Bows and bowing JVdGSA 14 1977 53
Donington, Robert James Talbot's manuscript: bowed strings Chelys 6 1976 43
Downie, Margaret Anne Rebec in French literary sources from 1379 to 1780 JVdGSA 19 1982 71
Einstein, Alfred German literature for viola da gamba in the 16th and 17th centuries: Annotations JVdGSA 29 1992 27
Farrell, Peter On the use of slurs in English viol music JVdGSA 16 1979 5
Field, Christopher The Composer's Workshop: Revisions in the Consort Music of Alfonso Ferrabosco the Younger Chelys 27 1999 1
Fleming, Michael Paintings of viols in England c.1580-1660 Chelys 25 1996/7 3
Fleming, Michael Unpacking the 'Chest of Viols' Chelys 28 2000 3
Fleming, Michael Viol drawings Chelys 18 1989 30
Fleming, Michael How long is a piece of string? Understanding seventeenth-century descriptions of viols Chelys 31 2003 18
Ford, Robert Clement Woodcock's appointment at Canterbury Cathedral Chelys 16 1987 36
Ford, Robert John Ward of Canterbury JVdGSA 23 1986 51
Fowle, Alison Interview with Sydney Beck JVdGSA 34 1997 5
Furnas, Paul Reverberations on the Use of Vibrato on the Viol JVdGSA 8 1971 18
Gable, Frederick Possibilities for mean-tone temperament playing on viols JVdGSA 16 1979 22
Gammie, Ian In memory of John Jenkins (1592-1678) Chelys 8 1979 59
Gammie, Ian Sylvestro Ganassi: Regola Rubertina (1542): a synopsis of the text relating to the viol Chelys 8 1979 23
Gartrell, Carol The origins and development of the baryton Chelys 11 1982 4
Goater, Michael The maker's viol Chelys 10 1981 11
Goy, Francois Pierre Seventeenth century viol pieces in settings for plucked strings Chelys 22 1993 30
Goy, Francois Pierre The Norwegian viol tablatures Chelys 23 1994 55
Graf, Anne A Seventeenth-Century Music Manuscript Chelys 30 2002 38
Graham-Jones, Ian Some random thoughts on pitch in English viol consort music in the 17th century Chelys 11 1982 20
Grampp, Florian A little-known collection of Canzonas rediscovered: the Canzoni a cinque da sonarsi con le Viole da gamba by Cherubino Waesich (Rome, 1632) Chelys 32 2004 21
Green, Robert The treble viol in 17th century France and the origins of the pardessus de viole JVdGSA 23 1986 64
Green, Robert A. Jean Rousseau and ornamentation in French viol music JVdGSA 14 1977 4
Griffin, Julia Ann Diego Ortiz's Principles of ornamentation for the viol JVdGSA 10 1973 88
Gwynn, Dominic The sound of the 17th century English chamber organ Chelys 25 1996/7 22
Hancock, Wendy General rules for realising an unfigured bass in 17th century England Chelys 7 1977 69
Hancock, Wendy The frequency and positioning of ornaments in French viol music (1685-9) Chelys 8 1979 38
Harper, John The distribution of the consort music of Orlando Gibbons in 17th century sources Chelys 12 1983 3
Harris, Colette Tobias Hume - a short biography Chelys 3 1971 16
Hebbert, Benjamin The Richard Meares Viol in the Metropolitan Museum of Art Re-evaluated JVdGSA 40 2003 36
Herzog, Myrna Finding out the true identity of the Castagneri viol: A detective story JVdGSA 31 1994 60
Herzog, Myrna The Viol in Bach's Passions: a performer's notes JVdGSA 33 1996 30
Herzog, Myrna Is the quinton a viol? A puzzle unraveled JVdGSA 40 2003 5
Heydon, Julia J. Martin Peerson's "Private Musicke" JVdGSA 29 1992 1
Holman, Peter Henry Purcell and Joseph Gibbs: A new source of the three-part fantasias Z732 and Z734 Chelys 25 1996/7 97
Holman, Peter The 'Symphony' Chelys 6 1976 10
Holman, Peter Thomas Baltzar (?1631-1663), the 'Incomperable Lubicer on the violin' Chelys 13 1984 3
Hulse, Lynn John Hingeston Chelys 12 1983 23
Hulse, Lynn The Duke of Newcastle and the English Viol Chelys 29 2001 28
Jackson, Barbara Garvey Commentary on LeBlanc's Defense de la viole JVdGSA 12 1975 14
Jackson, Barbara Garvey Hubert LeBlanc's Defense de la viole (trans.) (Part 1) JVdGSA 10 1973 11
Jackson, Barbara Garvey Hubert LeBlanc's Defense de la viole (trans.) (Part 2) JVdGSA 11 1974 17
Jennings, John The fantasies of Thomas Lupo Chelys 3 1971 3
Jennings, John M. Thomas Lupo revisited - is key the key to his later music? Chelys 12 1983 19
Johnson, Jane T. Violin versus viol in English fantasia-suites JVdGSA 15 1978 88
Johnson, Rose Marie A comparison of The Cries of London by Gibbons and Weelkes JVdGSA 9 1972 38
Johnson, Rose-Marie History and literature of the viola d'amore JVdGSA 7 1970 13
Jones, Sterling Scott The use of motivic and thematic material in the music of Tobias Hume JVdGSA 33 1996 15
Kambe, Yukimi Viols in Japan in the 16th and early 17th centuries JVdGSA 37 2000 31
Kessler, Dietrich A seven-string bass viol by Michel Colichon Chelys 19 1990 55
Kinney, Gordon J. A "Tempest in a glass of water," or a conflict of esthetic attitudes JVdGSA 14 1977 42
Kinney, Gordon J. Danoville's treatise on viol playing (trans.) JVdGSA 12 1975 45
Kinney, Gordon J. Fray Juan Bermudo's methods of measuring frets JVdGSA 11 1974 90
Kinney, Gordon J. Telemann's use of the viol as a solo or concertant instrument JVdGSA 17 1980 5
Kinney, Gordon J. The case for the use of vibrato on the viol JVdGSA 7 1970 52
Kinney, Gordon J. Writings on the viol by Dubuisson, DeMachy, R. Marais & E. Loulie JVdGSA 13 1976 17
Leppert, Richard D. Viols in seventeenth-century Flemish paintings: the iconography of music indoors and out JVdGSA 15 1978 5
Loeb, David The lyffe and times of a viol composer (late 20th century) JVdGSA 22 1985 29
MacCracken, Tom Research report: Conferences in Magnano and Edinburgh JVdGSA 37 2000 68
Mace, Thomas Fitz-Hugh Twin Viols: Evidence for serial production in the workshop of Nicholas Bertrand JVdGSA 45 2009/10 77
Marshall, Arthur W. The viola da gamba music of Godfrey Finger Chelys 1 1969 16
Marshall, Sheila The well fingered viol JVdGSA 13 1976 56
Marshall, Sheila Viols in school Chelys 9 1980 10
McCart, Calum The Panmure mss: a new look at an old source of Christopher Simpson's Consort Music Chelys 18 1989 18
McCoy, Stewart Tale of clefs Chelys 9 1980 28
McGuinness, David Gibbon's solo song reconsidered Chelys 24 1995 19
Meixell, Joan M. The American Society of Ancient Instruments JVdGSA 25 1988 6
Miller, Burritt The making of an Amati viol JVdGSA 31 1994 44
Miloradovitch, Hazelle 18th century manuscript transcriptions for viols of music by Corelli & Marais in the Bibliotheque Nationale, Paris: Sonatas and Pieces de Viole Chelys 12 1983 47
Miserandino-Gaherty, C. The codicology and rastrology of GB-Ob Mus. Sch. MSS c.64-9: Manuscripts in support of transmission theory Chelys 25 1996/7 78
Monson, Craig Consort song and verse anthem: a few performance problems JVdGSA 13 1976 4
Morris, Stephen William Young's Fantasias a3, by another name, still sound as sweet JVdGSA 41 2004 5
Morton, Joelle The Early history and use of the G violone JVdGSA 36 1999 40
Morton, Joelle Toronto's Hart House Viols JVdGSA 45 2009/10 5
Muthesius, Tilman The English Chest of Viols Chelys 28 2000 20
Myers, Herbert W. The Sizes and Tunings of Early Viols: Some Questions (and a few answers) JVdGSA 38 2001 5
Nelson, Graham A case of the early provenance of the Cartwright lyra-viol manuscript Chelys 25 1996/7 107
Nelson, Graham The lyra-viol variation sets of William Corkine Chelys 17 1988 17
Nery, Rui Vieira New sources for the study of the Portuguese 17th century consort music JVdGSA 22 1985 9
Neumann, Karl Captain Hume's Invention for two to play upon one viole JVdGSA 11 1974 102
Neumann, Karl Jean Rousseau on the mechanics of viol playing JVdGSA 7 1970 5
Nicholson, Richard Jenkins and Musica Britannica XXVI Chelys 2 1970 34
Ogden, Samuel R. Abraham Prescott and his bass viols JVdGSA 12 1975 73
Olds, Patricia The decline of the viol in 17th century England: some observations JVdGSA 17 1980 60
O'Loghlin, Michael Ludwig Christian Hesse and the Berlin Virtuoso Style JVdGSA 35 1998 35
Olson, Phyllis A History of the Viola da Gamba Society of America (Part 3) JVdGSA 31 1994 25
Olson, Phyllis A History of the Viola da Gamba Society of America (Parts 1 & 2) JVdGSA 30 1993 5
Olson, Phyllis An interview with Dick Bodig, July 1994 JVdGSA 35 1998 6
Ongaro, Giulio M. New documents on a sixteenth-century Venetian viol maker JVdGSA 27 1990 22
Otterstedt, Annette A sentimental journey through Germany and England Chelys 21 1992 39
Otterstedt, Annette The compatibility of the viol consort with the organ in the early 17th century Chelys 25 1996/7 32
Otterstedt, Annette The spoon to the soup: an approach to the lyra viol Chelys 20 1991 43
Owens, Samantha The Hand Gamba Chelys 30 2002 47
Pallis, Marco Tenor I or alto? Some thoughts on the instrumentation of the consort of viols JVdGSA 9 1972 5
Pallis, Marco The instrumentation of English viol consort music Chelys 1 1969 27
Payn, Robert A midlands viol maker Chelys 11 1982 37
Payne, Ian 'The first that ever he made': Byrd's First Pavan and Galliard and techniques of transcription and reconstruction in the 'lost' consort dances Chelys 28 2000 28
Payne, Ian British Library Add MSS 30826-8:a set of part-books from Trinity College, Cambridge? Chelys 17 1988 3
Payne, Ian John Ward (c.1589-1638): The case for one composer of the madrigals, sacred music and five- and six-part consorts Chelys 23 1994 1
Payne, Ian The provision of teaching on viols at some English Cathedral Churches, c.1594-c.1645: Archival evidence Chelys 19 1990 3
Payne, Ian New light on 'New Fashions' by William Cobbold (1560-1639) of Norwich Chelys 30 2002 11
Phillips, Elizabeth Henry Butler and the early viol sonata JVdGSA 21 1984 45
Pinto, David Marsh, Mico and Attributions Chelys 27 1999 40
Pinto, David Purcell's In nomines: A tale of two manuscripts (perhaps three) Chelys 25 1996/7 101
Pinto, David The fantasy manner: the seventeenth century context Chelys 10 1981 17
Pinto, David Placing Hatton's Great Set Chelys 32 2004 1
Platt, Peter Obituary of Professor D.R. Peart Chelys 11 1982 36
Pratt, Terry The playing technique of the dessus and pardessus de viole Chelys 8 1979 51
Reiners, Hans Baroque bows Chelys 28 2000 59
Rhodes, David J. The viola da gamba, its repertory and practitioners in the late eighteenth century Chelys 31 2003 37
Robinson, Lucy Notes on editing the Bach gamba sonatas (BWV 1027-1029) Chelys 14 1985 25
Robinson, Lucy Forqueray Pieces de Viole (1747): A rich source of mid-eighteenth century French string technique JVdGSA 43 2006 5
Rose, Adrian Another collection of pieces by Charles Dolle Chelys 11 1982 32
Rose, Adrian Marc-Antoine Charpentier's Premier Lecon du Vendredy Saint: an important source of music for solo treble viol Chelys 13 1984 47
Rose, Adrian Music for the dessus and pardessus de violes, published in France, c. 1650-1770 JVdGSA 16 1979 40
Rose, Adrian Rudolph Dolmetsch (1906-1942): the first modern viola da gamba virtuoso Chelys 21 1992 57
Rose, Adrian The Pardessus de viole: Notes for a master's thesis Chelys 24 1995 34
Rose, Adrian The solo repertoire for dessus and pardessus de violes Chelys 9 1980 14
Rutledge, John A letter of J.B.A. Forqueray JVdGSA 13 1976 12
Rutledge, John A viol bibliography JVdGSA 16 1979 47
Rutledge, John Hubert LeBlanc's concept of viol sound JVdGSA 17 1980 28
Rutledge, John Paul de Wit: reviver of the viols JVdGSA 23 1986 19
Rutledge, John The fretless approach to gamba playing JVdGSA 28 1991 21
Sadie, Julie Anne Handel: in pursuit of the viol Chelys 14 1985 3
Sadie, Julie Anne Monteclair, the viol player's composer JVdGSA 15 1978 41
Sandford, Gordon A composer index for Gordon Dodd's Thematic Index JVdGSA 23 1986 72
Sandford, Gordon Coprario's cadence:some thoughts on Coprario's four part fantasia C21 Chelys 22 1993 44
Sandford, Gordon Thomas Morley's fantasia, "Il doloroso": An analysis JVdGSA 31 1994 74
Saunders, Steven Giovanni Valentini's "In te Domine speravi" & the demise of the viola bastarda JVdGSA 28 1991 1
Segerman, Ephraim On Praetorius and English viol pitches Chelys 17 1988 24
Sicard, Michel The French viol school: the repertory from 1650 to Sainte-Colombe (c1680) JVdGSA 22 1985 42
Smith, Mark The cello bow held the viol-way; once common, but now almost forgotten Chelys 24 1995 47
Smit, Lambert Towards a more consistent and more historical view of Bach's Violoncello Chelys 32 2004 45
Spring, Matthew The English lute 'fantasia-style' and the music of Cuthbert Hely Chelys 25 1996/7 65
Stoltzfus, Ila Christopher Simpson's "Little consort" JVdGSA 21 1984 53
Stoltzfus, Ila The lyra viol in consort: an example from Uppsala, Universitetsbiblioteket IMhs 4:3 JVdGSA 17 1980 47
Strahle, Graham Fantasy and music in sixteenth- and seventeenth century England Chelys 17 1988 28
Sullivan, William Tobias Hume's First Part of ayres (1605) Chapter III, Pt 1 JVdGSA 7 1970 92
Sullivan, William Tobias Hume's First Part of ayres (1605) Chapter III, Pt 2 JVdGSA 8 1971 65
Sullivan, William Tobias Hume's First Part of Ayres (1605): Chapter IV: Summary and Conclusions JVdGSA 9 1972 16
Summers, Mark La mort de la viole en France pendant le dix-huitième siècle: an enquiry into the viol's fall from grace Chelys 29 2001 44
Sutcliffe, Richard Re-examining the pardessus de viole, and its literature, Part 1: Introduction and methods JVdGSA 37 2000 5
Sutcliffe, Richard Re-examining the pardessus de viole, and its literature, Part 2: Repertoire from 1722 to c. 1790 JVdGSA 38 2001 27
Taruskin, Richard On letting the music speak for itself: some reflections on musicology and performance JVdGSA 20 1983 6
Teplow, Deborah Lyra viol accompaniment in Robert Jones' Second Booke of Songs & Ayres (1601) JVdGSA 23 1986 6
Teplow, Deborah Rhetoric and eloquence: dramatic expression in Marin Marais' Pieces de Viole JVdGSA 24 1987 22
Thompson, Robert A further look at the consort music mss in Archbishop Marsh's Library, Dublin Chelys 24 1995 3
Thompson, Robert Francis Withie of Oxon and his commonplace book, Christ Church Oxford, MS 337 Chelys 20 1991 3
Thompson, Robert The sources of Locke's consort 'For seaverall freinds' Chelys 19 1990 16
Thompson, Robert The sources of Purcell's fantasias Chelys 25 1996/7 88
Thompson, Ruby Reid The Fantasia in England from A. Ferrabosco II to Henry Purcell: Conference Report JVdGSA 32 1995 44
Traficante, Frank An extant copy of J.C. Ziegler's Intavolatura zur Viola di Gamba Chelys 8 1978 64
Traficante, Frank Henry Blakiston who? or some early instruments at the Library of Congress JVdGSA 10 1973 29
Traficante, Frank Music for lyra viol: manuscript sources Chelys 8 1979 4
Uchino, Nobuko Catalogue of the European musical instruments in the Ueno Gakuen Collection JVdGSA 27 1990 29
Uchino, Nobuko Catalogue of the European musical instruments in the Ueno Gakuen Collection JVdGSA 23 1986 27
Urquhart, Margaret A possible trace of Christopher Simpson (S.J.) Chelys 27 1999 59
Urquhart, Margaret Sir Robert Bolles Bt. of Scampton Chelys 16 1987 16
Urquhart, Margaret The handwriting of Christopher Simpson Chelys 15 1986 62
Urquhart, Margaret Was Christopher Simpson a Jesuit? Chelys 21 1992 3
Vanscheeuwijck, Marc Research Report: Double Bass Session at the IMS Conference in Leuven, Belgium JVdGSA 39 2002 76
Vickrey, John In memoriam: Oliver Wendell Margrave (1910-1985) JVdGSA 22 1985 7
Weidner, Robert W Change and tradition in the early In Nomine JVdGSA 15 1978 102
Wess, Joan Musica Transalpina, parody, and the emerging Jacobean viol fantasia Chelys 15 1986 3
Whittaker, James As others saw us Chelys 3 1971 19
Willetts, Pamela John Lilly: a redating Chelys 21 1992 27
Willetts, Pamela Stephen Bing: a forgotten violist Chelys 18 1989 3
Willetts, Pamela John Barnard's collections of viol and vocal music Chelys 20 1991 28
Willetts, Pamela Who was Richard Gibbons? Chelys 31 2003 3
Woodfield, Ian A tribute to Howard Brown JVdGSA 30 1993 1
Woodfield, Ian Dudley Ryder 1715-1716: extracts from the diary of a student viol player JVdGSA 21 1984 64
Woodfield, Ian Recent research on the viol JVdGSA 25 1988 53
Woodfield, Ian Recent research on the viol JVdGSA 26 1989 83
Woodfield, Ian Recent research on the viol JVdGSA 27 1990 40
Woodfield, Ian Recent research on the viol JVdGSA 28 1991 49
Woodfield, Ian Recent research on the viol JVdGSA 29 1992 65
Woodfield, Ian Recent research on the viol JVdGSA 30 1993 67
Woodfield, Ian Recent research on the viol JVdGSA 31 1994 81
Woodfield, Ian Recent research on the viol JVdGSA 32 1995 41
Woodfield, Ian Recent research on the viol JVdGSA 33 1996 79
Woodfield, Ian Recent research on the viol JVdGSA 34 1997 75
Woodfield, Ian Recent research on the viol JVdGSA 35 1998 74
Woodfield, Ian Recent research on the viol JVdGSA 36 1999 67
Woodfield, Ian Recent research on the viol JVdGSA 37 2000 84
Woodfield, Ian Recent research on the viol JVdGSA 38 2001 78
Woodfield, Ian Recent research on the viol JVdGSA 39 2002 83
Woodfield, Ian Recent research on the viol JVdGSA 40 2003 49
Woodfield, Ian Recent research on the viol JVdGSA 41 2004 66
Woodfield, Ian Recent research on the viol JVdGSA 42 2005 76
Woodfield, Ian Recent research on the viol JVdGSA 43 2006 69
Woodfield, Ian Recent research on the viol VdGSA 45 2009/10 122
Woodfield, Ian The First Earl of Sandwich, a performance of William Lawes in Spain and the origins of the pardessus de viole Chelys 14 1985 40
Woodfield, Ian The Younger Sainte-Colombe in Edinburgh Chelys 14 1985 43
Woodford, Anthony Music for viol in tablature Chelys 2 1970 23
Wynn, Sarah J. Karl Friedrich Abel - some contemporary impressions JVdGSA 10 1973

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