Saraband Home Page
Author Title Journal Volume Date Page
Abbey, Hermione Sir Peter Leycester's book on music JVdGSA 21 1984 28
Agren, Carl Hugo Diatonic fingering on treble and pardessus viols Chelys 13 1984 61
Agren, Carl Hugo The use of higher positions on the treble viol Chelys 19 1990 44
Allsop, Peter The role of the stringed bass as a continuo instrument in Italian 17th century instrumental music Chelys 8 1979 31
Ashbee, Andrew A not unapt scholar: Bulstrode Whitelocke (1605-1675) Chelys 11 1982 24
Ashbee, Andrew John Jenkins's fantasia-suites for treble, two basses and organ [Pt 1] Chelys 1 1969 3
Ashbee, Andrew John Jenkins's fantasia-suites for treble, two basses and organ, Part 2 Chelys 2 1970 6
Ashbee, Andrew Music for treble, bass and organ by John Jenkins Chelys 6 1976 25
Ashbee, Andrew The late fantasias of John Jenkins Chelys 25 1996/7 53
Ashbee, Andrew The six-part consort music of John Jenkins: an editor's view Chelys 7 1977 54
Ashbee, Andrew The Society's Indexes: a way forward Chelys 23 1994 73
Baines, Francis Fantasias for the great dooble base Chelys 2 1970 37
Baker, David The instrumental consort music of Robert Parsons Chelys 7 1977 4
Baker, David & Jennifer The Browning Chelys 10 1981 4
Banks, Margaret Downie North Italian viols at the Shrine to Music Museum JVdGSA 21 1984 7
Beecher, Donald Aesthetics of the French solo viol repertory, 1650-1680 JVdGSA 24 1987 10
Bellingham, Bruce Alfonso Ferrabosco II: the art of the fantasia Chelys 26 1998 1
Bellingham, Bruce The musical circle of Anthony Wood in Oxford during the Commonwealth and Restoration JVdGSA 19 1982 6
Bellingham, Bruce Harmonic excursions in the English early-seventeenth-century four-part fantasias of Alfonso Ferrabosco the Younger JVdGSA 41 2004 36
Benforado, Kathy Donald Warnock: Interviews and reminiscences JVdGSA 32 1995 8
Bennett, J. & Willets, P. Richard Mico Chelys 7 1977 24
Bennett, John John Oker/Okeover Chelys 16 1987 3
Bertenshaw, Derry Another five-part piece by Thomas Lupo? Chelys 23 1994 17
Bertenshaw, Derry Madrigals and madrigalian fantasies: the five-part consort music of John Coprario and Thomas Lupo Chelys 26 1998 26
Bishop, Martha A tribute to Elizabeth Cowling JVdGSA 33 1996 10
Bishop, Martha On playing continuo JVdGSA 30 1993 42
Bishop, Walter Translation of Maugar's Response faite a un curieux sur le sentiment de la Musique d'Italie JVdGSA 8 1971 5
Blakeslee, Newton Leo M. Traynor: memories of a friend JVdGSA 24 1987 7
Boal, Ellen TeSelle Purcell's clock tempos and the fantasias JVdGSA 20 1983 24
Boal, Ellen TeSelle Saraband: speed, steps and stress JVdGSA 17 1980 38
Boal, Ellen TeSelle Tempo indications in Purcell's Fantasias and Sonatas: A performer's guide to new and conflicting signatures JVdGSA 31 1994 9
Bodig, Richard D. Ganassi's Regola Rubertina (Conclusion) (translated) JVdGSA 19 1982 99
Bodig, Richard D. Ganassi's Regola Rubertina Part 1 (translated) JVdGSA 18 1981 14
Bodig, Richard D. German literature for viola da gamba ...(A. Einstein p. 23-43) JVdGSA 25 1988 29
Bodig, Richard D. German literature for viola da gamba ...(A. Einstein p. 43-72) JVdGSA 26 1989 7
Bodig, Richard D. German literature for viola da gamba ...(A. Einstein, p. 13-23) JVdGSA 24 1987 51
Bodig, Richard D. German literature for viola da gamba in the 16th and 17th centuries (A. Einstein, p. 1-13) JVdGSA 23 1986 81
Bodig, Richard D. Silvestro Ganassi's Regola Rubertina - revelations and questions JVdGSA 14 1977 61
Bram, Marjorie An interview with August Wenzinger JVdGSA 12 1975 77
Brookes, Virginia In Nomine: an obscure designation Chelys 30 2002 4
Brookes, Virginia The four-part fantasias of John Ward: one composer or two? Chelys 26 1998 52
Brookes, Virginia The four-part In Nomines of John Ward Chelys 16 1987 30
Bruggaier, R. The Archetype of J.S. Bach's Chorale Setting "Nun Komm, der Heiden Heiland" BWV660: A Composition with Viola da Gamba JVdGSA 34 1997 67
Burnett, Henry The bowed string instruments of the baroque basso continuo c.1680-c1752 - In Italy and France JVdGSA 7 1970 65
Burnett, Henry The bowed string instruments of the baroque basso continuo c.1680-c1752 - In Italy and France Part 2 JVdGSA 8 1971 29
Caldwell, James Antique viols and related instruments from the Caldwell collection JVdGSA 11 1974 60
Carvell, Bruce R. A translation of the preface to Terpsichore of Michael Praetorius JVdGSA 20 1983 40
Catch, John R. Bach's violetta: a conjecture Chelys 21 1992 79
Catch, John R. James Talbot's viols Chelys 17 1988 33
Catch, John R. Praetorius and English viol pitch Chelys 15 1986 26
Catch, John R. The gambino Chelys 11 1982 8
Caudle, Mark The English repertory for violin, bass viol and continuo Chelys 6 1976 69
Chancey, Tina Gender, Class, and 18th century French music: Barthelemy de Caix's Six Sonatas for 2 Unaccompanied Pardessus de Viole, Pt 1 JVdGSA 33 1996 47
Chancey, Tina Gender, Class, and 18th century French music: Barthelemy de Caix's Six Sonatas for 2 Unaccompanied Pardessus de Viole, Pt 2 JVdGSA 34 1997 16
Charteris, Richard A newly-discovered manuscript copy of Christopher Simpson's The Division Viol Chelys 23 1994 47
Charteris, Richard A postscript to John Coperario: A thematic catalogue of his music with a biographical introduction Chelys 11 1982 13
Charteris, Richard A rediscovered manuscript source with some previously unknown works by John Jenkins, William Lawes and Benjamin Rogers Chelys 22 1993 3
Charteris, Richard Another six-part fantasia by Martin Peerson? Chelys 9 1980 4
Charteris, Richard English music in the Library of Mortiz, Landgrave of Hessen-Kassel in 1613 Chelys 15 1986 33
Charteris, Richard The origin of Alfonso Ferrabosco the Elder's 6-part fantasia C224 Chelys 16 1987 12
Charteris, Richard New connections between Eastern Europe and works by Philips, Dowland, Marais and Others Chelys 29 2001 3
Cheney, Stuart A summary of Dubuisson's life and sources JVdGSA 27 1990 7
Cheney, Stuart Two French Colloques devoted to the viol: Conference Report JVdGSA 32 1995 41
Christensen, Jean Per Norgard's works for early music ensemble JVdGSA 22 1985 35
Connelly, Patrice Where were the women before 1800? JVdGSA 32 1995 34
Conner, Ted The Groundbreaking treatise of Christopher Simpson JVdGSA 36 1999 5
Conner, Ted Structural Ornaments; Transcending Binaries in Elizabethan and Jacobean Music JVdGSA 42 2005 19
Conner, Ted Musical-Rhetorical Gestures in the fantasias of Henry Purcell JVdGSA 39 2002 5
Coxon, Carolyn Some notes on English graces for the viol Chelys 2 1970 18
Crawford, Tim An unusual consort revealed in an Oxford manuscript Chelys 6 1976 61
Crawford, Tim Constantijn Huygens and the 'Engelsche Viool' Chelys 18 1989 41
Crum, Alison Improve your consort playing: a practical study of John Jenkins Fantasy in a minor, VdGS no. 8 Chelys 13 1984 39
Cunningham, Caroline A selective bibliography of Howard Brown's books and articles pertaining to the viol JVdGSA 30 1993 3
Cunningham, Caroline John Coprario's Rules how to compose and his Four-part fantasias: Theory & practice confronted Chelys 23 1994 37
Cunningham, Caroline Variety and unity in the fantasias of John Coprario Chelys 26 1998 69
Cunningham, John "Let them be Lusty, Smart-Speaking Viols"; William Lawes and the Lyra Viol Trio JVdGSA 43 2006 32
Cyr, Mary Ornamentation in English Lyra Viol Music, Pt 1: Slurs, Juts, Thumps and other "Graces" for the bow JVdGSA 34 1997 48
Cyr, Mary Ornamentation in English Lyra Viol Music, Pt 2: Shakes, Relishes, Falls, and Other "Graces" for the Left Hand JVdGSA 35 1998 16
Cyr, Mary Solo music for the treble viol JVdGSA 12 1975 5
Cyr, Mary The viol in baroque paintings and drawings JVdGSA 11 1974 5
Cyr, Mary Traditions of solo viol playing in France JVdGSA 10 1973 81
Davenport, Mark Between Fantazy and Aire: The "Active Braine" of William Lawes JVdGSA 39 2002 49
Davidoff, Judith Ann Ford: an eighteenth century portrait JVdGSA 30 1993 51
Davidson, Martha Samuel Pepys and the viol JVdGSA 42 2005 5
Dixon, Graham Continuo scoring in the early baroque: the role of bowed-bass instruments Chelys 15 1986 38
Dodd, Gordon A study in consort interpretation: William Lawes's 6-part consort set in g minor Chelys 20 1991 52
Dodd, Gordon Alfonso Ferrabosco II - the art of the fantasy Chelys 7 1977 47
Dodd, Gordon An essay in consort interpretation: John Ward, 6 part In Nomine JVdGSA 12 1975 37
Dodd, Gordon Grounds for putting Simpson into practice JVdGSA 20 1983 60
Dodd, Gordon Matters arising from examination of lyra-viol manuscripts Chelys 9 1980 23
Dodd, Gordon Mr Weelkes His Second Pavin Chelys 9 1980 31
Dodd, Gordon Tablature without tears? Chelys 12 1983 43
Dodd, Gordon The chest of viols reconsidered Chelys 3 1971 22
Dodd, Gordon The Coperario-Lupo five-part books at Washington Chelys 1 1969 36
Dodd, Gordon William Lawes - Royall consort suite no. 9 in F Chelys 6 1976 4
Dodd, Gordon William Young - airs for solo viol Chelys 9 1980 33
Dolmetsch, Natalie Antique bowed instruments in the Dolmetsch collection JVdGSA 15 1978 51
Dolmetsch, Nathalie Bows and bowing JVdGSA 14 1977 53
Donington, Robert James Talbot's manuscript: bowed strings Chelys 6 1976 43
Downie, Margaret Anne Rebec in French literary sources from 1379 to 1780 JVdGSA 19 1982 71
Einstein, Alfred German literature for viola da gamba in the 16th and 17th centuries: Annotations JVdGSA 29 1992 27
Farrell, Peter On the use of slurs in English viol music JVdGSA 16 1979 5
Field, Christopher The Composer's Workshop: Revisions in the Consort Music of Alfonso Ferrabosco the Younger Chelys 27 1999 1
Fleming, Michael Paintings of viols in England c.1580-1660 Chelys 25 1996/7 3
Fleming, Michael Unpacking the 'Chest of Viols' Chelys 28 2000 3
Fleming, Michael Viol drawings Chelys 18 1989 30
Fleming, Michael How long is a piece of string? Understanding seventeenth-century descriptions of viols Chelys 31 2003 18
Ford, Robert Clement Woodcock's appointment at Canterbury Cathedral Chelys 16 1987 36
Ford, Robert John Ward of Canterbury JVdGSA 23 1986 51
Fowle, Alison Interview with Sydney Beck JVdGSA 34 1997 5
Furnas, Paul Reverberations on the Use of Vibrato on the Viol JVdGSA 8 1971 18
Gable, Frederick Possibilities for mean-tone temperament playing on viols JVdGSA 16 1979 22
Gammie, Ian In memory of John Jenkins (1592-1678) Chelys 8 1979 59
Gammie, Ian Sylvestro Ganassi: Regola Rubertina (1542): a synopsis of the text relating to the viol Chelys 8 1979 23
Gartrell, Carol The origins and development of the baryton Chelys 11 1982 4
Goater, Michael The maker's viol Chelys 10 1981 11
Goy, Francois Pierre Seventeenth century viol pieces in settings for plucked strings Chelys 22 1993 30
Goy, Francois Pierre The Norwegian viol tablatures Chelys 23 1994 55
Graf, Anne A Seventeenth-Century Music Manuscript Chelys 30 2002 38
Graham-Jones, Ian Some random thoughts on pitch in English viol consort music in the 17th century Chelys 11 1982 20
Grampp, Florian A little-known collection of Canzonas rediscovered: the Canzoni a cinque da sonarsi con le Viole da gamba by Cherubino Waesich (Rome, 1632) Chelys 32 2004 21
Green, Robert The treble viol in 17th century France and the origins of the pardessus de viole JVdGSA 23 1986 64
Green, Robert A. Jean Rousseau and ornamentation in French viol music JVdGSA 14 1977 4
Griffin, Julia Ann Diego Ortiz's Principles of ornamentation for the viol